Sam Rountree Williams, Narcissus (2019) oil on canvas, 144 x 192 cm (C) Sam Rountree & Robert Heald Gallery, Wellington, NZ

Sam was a guest of Art Programme’s Contemporary Painters sessions in 2022.







[AP] operates on the unceded lands of the Wurundjeri of the Kulin Alliance and acknowledges and pays respect to their Elders past and present. We offer our ongoing support for the Victorian State Government's Treaty process and hold expectations that the Federal Government will recognise the Uluru Statement from the Heart (2017) that asks for Federal parliamentary voices for Australia’s first peoples.


Art Programme [AP] is a small, private arts' organisation based in Melbourne, Australia.

[AP] was formed by artists and writers for artists, writers, thinkers, and filmmakers to come together to critically explore contemporary ideas and developments in studio practice, art, film, politics, and philosophy. 


[AP] is a non-exploitative employer that respects the knowledges and specialisations of all its facilitators and participants. Thus, it is formed as a flexible organising system of unranked independent elements that can be arranged/rearranged, depending on the task at hand. This structure is also called a ‘heterarchy’, which means relationships resists hierarchical ordering. 



Notifications


February 2023

Art Programme is working with Bundanon to deliver an online course, Incursions, plants, art practices (see details under ONLINE COURSES).

Naomi Eller and Steven Rhall, two artists with sculptural practices, have been commissioned by Art Programme to engage with the land at Bundanon, followed by an artist talk on Sunday 26 February. 

Naomi and Steven are supported by a generous Creative Victoria grant and provisions and assistance from Bundanon.














Our ethos


[AP] is an anti-institutional collective that brings years of experience and specialist knowledge to bear upon all its activities.

We recognise the limitations that institutions and bureaucracies place on creative thinking and are intent on maintaining a supportive environment in which all participants feel free to explore new ideas in confidence and without judgement.

This extends to our studio critiques which are led by experienced artists who ensure that all feedback is constructive, empathetic, and relevant in the context of current contemporary art practices.


Angel Brennan, Planet Abstract I (2021) oil on linen, 125.5 x 146 cm.

Nicholas Mangan, Core-coralations, 2021,
coral, aragonite, gypsum, steel,
110 x 62 x 62 cm (approx), including table.